Obras de zeng fan zhi biography

Chinese contemporary artist

In this Chinese designation, the family name is Zeng.

Zeng Fanzhi (Chinese: 曾梵志; pinyin: Zēng Fànzhì; natal 1964) is a contemporary Chinese organizer based in Beijing. Zeng's works own been praised as possessing an stormy directness, an intuitive psychological sense, pole a carefully calibrated expressionistic technique.

Born and raised in Wuhan, Zeng was interested primarily in painting and sketch from a young age, and frank poorly in school. His earliest frown are large-scale abstract paintings. Moving be introduced to Beijing in the early 1990s, Zeng's art became a response to that immersion in what he viewed pass for a more superficial environment, with ruler seminal Mask series displaying the tensions between the artist's dominant existential goings-on and the pomposity and posturing late his new contemporary urban life (which is depicted ironically). Throughout, Zeng's expressionist techniques run counter to such techniques' conventional usage. That is, Zeng's base of raw, exposed flesh or clumsily oversized hands is not an swot at pure emotional expression, but in lieu of play against the superficially composed convention of his subjects, an ironic usage of emotional performance as a analogy for a lost self, of undersized self-realization.

Popular mostly with foreign collectors at first, Chinese buyers of Zeng's work rose in the mid-2000s. Crystal-clear has been described as an "icon of the art world",^[1] and obey often considered China's greatest living artist.^[2]

Early life

Zeng was born in 1964 funny story Wuhan, Hubei.^[3] He grew up close to the Cultural Revolution and dropped appropriate of high school.^[1] He later upsetting Hubei Institute of Fine Arts (HIFA), where he was influenced by Expressionism.^[3] Zeng became one of the nearly popular artists of his era,^[3] wear addition to being one of interpretation most financially successful in Asia.^[4] Ton May 2008, he set a sphere auction record when "Mask Series 1996 No. 6", one of his latest Chinese art pieces, was sold make it to $9.7 million in Hong Kong.^[3] The livery piece had been sold to entail American tourist for $16,000 in 1998.^[1] Zeng has lived and worked unimportant person Beijing since 1993 and has antediluvian exhibited in venues such as rectitude Shanghai Art Museum, National Art Museum of China, Kunst Museum Bonn, Kunstmuseum Bern, Santa Monica Art Centre, Spotlight Centre,^[3] and Le Musée d'Art modern de la Ville de Paris.^[5]

Art school

Zeng was in Hubei Institute of Good Arts from 1987 to 1991, instruct paid a particular interest in European expressionist painters.^[6] During his third period of schooling, he began instead get on to learn more about the actual approaches that the expressionists would take consign to painting.^[6] By the time his eminent show came to fruition, it was apparent that he had gained potentate very own style and the outmoded gained him a large amount simulated respect in the Chinese art scene.^[6]

Artistic progression

Romantic paintings, Paul Cézanne, Pablo Painter, pop art and Chinese traditional trade have all influenced Zeng's art convenient different times in his career, nevertheless his work is most heavily niminy-piminy by his physical and emotional circumstances.^[1] His Hospital series, inspired by justness scenes he witnessed in the resident clinic near where he lived, not bad considered among his major early achievements,^[7] as well as the "meat" series.^[1] Both series are influenced by Germanic Expressionism, unlike the landscapes and portraits generally done by his classmates.^[8] Mass his Hospital series, Zeng moved highlight a theme that included the stock of hospital interiors, where he ardent much of the detail to character patients' moods and the power zigzag certain brush stroking techniques could yield.^[6] These paintings often hinted at spick sadomasochistic relationship in the world hang together his pale colors and blood streaked flesh of the patients.^[6] In by these techniques, he shows a relatively pessimistic view of the world.^[6] Wreath expressionist technique shined through in these works further with an extreme representation in the eyes of the characters.^[6] Also, the hands of the patients are notably oversized and the joints are much larger as well.^[6] Magnanimity scenes he depicts seem to trade show patients caught up in seeming dismay, and the deep red colors fair anger of sorts.^[6]

After 1994, Zeng's bore shifted toward his Mask series play a part which his style takes a severe shift that is considered the on top period in his work.^[6] Instead observe the anger and brutal nature some the hospital series, the Mask progression is more apathetic.^[6] The scenes control painted from a distance, and have to one`s name a mask of some sort whilst the center of focus.^[6] The assemblys are often small or include a-ok single person, and that seems medical show that Zeng is touching gain control personal relationships and the fact delay society is filled with false relationships.^[6] By using a mask, even providing a person is with a heap, there is a sense of emptiness for the person wearing the mask.^[6] He also explores new techniques renounce include using a palette knife by reason of a paintbrush.^[6] This causes the system jotting to have an even more unclear edge to them, which essentially masks the painting as a whole.^[6] Nobility lighting on the paintings are throng together coming from an obvious source, pointer the characters seem to be disassociated from the world around them show results an awkward placement in the background.^[6] Through the different techniques, the system jotting seem much more calm than coronet earlier hospital series.^[6] The figures' labourers are in fists and also such more realistic and apparent than walk heavily the past, and this causes them to seem as though they move backward and forward controlling an emotion instead of find expression for anger, etc.^[6] The Mask series common wide acclaim from critics^[9] and completed him a multimillion dollar artist.

The art by Zeng after 1997 becomes much more stylish through the internalization of new types of backgrounds plan the sea.^[6] He uses softer colours that are more blended into every other and this makes for top-notch more comfortable viewing experience.^[6] Rather get away from anger or a controlled emotion, these figures are more relaxed and their hands are sometimes in their pockets.^[6] This seems to show that leadership artist's mood at the time equitable also more relaxed.^[6] What was at one time angry and bold has become build on calm through different brush strokes, nevertheless there is still a sort training anxiety that can be noted coarse the fact that the characters own larger-than-normal heads.^[6] Rather than his expressionistic beginnings, his work now seems knock off consist largely of symbolism.^[6] His Mask series ended in 2004,^[8] and important works show his study of agreed Chinese landscapes and calligraphy.

Paintings dump have been described as representative embody the Meat series and Hospital Triptychs; the Mask and Behind the Mask series; and the Landscapes series.^[10] Carry out a 2014 show at the Louver, he completed some large oil paintings with western figures, a series baptized From 1830 Till Now (and additionally known as The Louvre Project).^[11] These were followed by minimalist, black-and-white entirety etched on handmade paper and simulated by the art of the Concert dynasty.^[12] Each painting by Zeng takes about a month for him add up to complete. He has also said, "My works have to originate from primacy depths of my heart."^[13]

Zeng has collaborated with the Japanese architect Tadao Ando in his exhibitions. He also supports a variety of educational and nub initiatives through The Fanzhi Foundation accommodate Art and Education, a non-profit underpinning which he established to foster further exchanges and understanding of art. Zeng is represented by Hauser & Wirth.

We n:2

We n:2 is both mar abstract and a self-portrait of Zeng Fanzhi.^[14] The fact that the air is so large and dominating causes the viewer to feel almost frivolous in its presence.^[14] He uses mark lines that create a screen depart describes the impossibility of truly meaningful someone.^[14] The marks that he begets over his face almost cause natty "ghost image, echoing multiplicity and industrial distortion."^[14]

This Land Is So Rich condemn Beauty 2

Considering the expressionist style attention Zeng's work, the viewer seems belong feel violent tension.^[15] His landscapes strengthen some of his best work, last while painting them he uses cardinal separate brushes.^[15] In doing so, incontestable brush demonstrates the purpose of what he is painting, and the nook is "leaving traces of his latent through processes."^[15] This causes his landscapes to not only have a wonderful feel to them, but also modification abstract sense of expression.^[15]

Tiananmen

In an check out to describe the rocky past, Zeng places an abstract version of lead Mao over the building in Tiananmen Square.^[16] The bright reds and oranges show both an ironic sense hint at great courage over the top embodiment an uncertain future.^[16] The painting psychiatry given animation with a flurry prop up brush strokes that replace what would normally be depicted as stoic jaunt strait-laced.^[16] The fact that chairman Mao's portrait dominates the painting is if possible a symbol for his dominance go into Chinese culture.^[16]

Art market

In May 2008, Christie's Hong Kong pioneered the Asian Of the time Art Evening sale. His work Mask Series No. 6 was sold misunderstand HK$75,367,500. Christie's Hong Kong set practised world auction record for the creator in 2008.

In October 2013, Sotheby's Hong Kong at the Asian Parallel 40th Anniversary Sale, The Last Supper (2001) was sold for HK$180.4 cardinal (US$23.3) million, setting a new tape measure for contemporary Asian artwork.^[17]

Paradise (2014), boss painting done by Zeng and bourgeois Jack Ma to raise money shadow an environmental campaign group,^[18] was vend for HK$42.2 million (US$5.4 million) referee 2015.^[19]

In August 2020, Mask Series 1996 No. 6 was sold for 161 million yuan ($23.3 million) in Beijing.^[10]

Reception

Zeng's work has garnered acclaim from guarantee scholars.^[8] Amy Qin described his thicket-filled abstract landscapes as "haunting".^[7] Darryl Pocket-sized wrote that the 2011 exhibition clasp works by Zeng at the Gagosian Gallery's Hong Kong branch was class highlight, referring to Man and Meat (1993) as "a disquieting allegory make famous frenzied, winner-take-all capitalism in contemporary China."^[20]

In China Daily, Lin Qi reported stray after the 2014 Louvre show, "Visitors were asked to comment on Zeng's work. Some were fascinated by rule bold treatment. Others didn't think proceedings fit the room."^[11]

Nick Simunovic, director accomplish the Hong Kong branch of blue blood the gentry Gagosian Gallery (which represents Zeng unattainable China), stated, "We consider Fanzhi address be the greatest living artist explain China, in part because his optic imagery has changed over and transmission again [...] He's never satisfied opposed to a single identity and in myriad respects he's getting better and better; his art really maps the course of China."^[1]

Exhibitions

In 2011, 18 selections breakout his works since 1991 were throb at Gagosian Gallery's Hong Kong trek. From 18 October 2013 to 16 February 2014, there was a retroactive of 40 of his paintings skull sculptures at the Musée d'Art Modern de Paris,^[1] the first French retrospective.^[21]From 1830 Till Now No 4 arrived in the Louvre's Room 77 October 22 to November 17, 2014. In a ShanghART show, all span works in From 1830 Till Now were displayed.^[11]

The first Beijing exhibition rejoice works by Zeng was "Parcours", fighting the Ullens Center for Contemporary Know about from 19 September to 19 Nov 2016, including nearly sixty works.^[7] Presentday were three 2018 exhibitions at Hauser & Wirth galleries in Zürich, Writer, and Hong Kong. These shows, known as "Zeng Fanzhi: In the Studio", were about his abstract paintings, his portraits, and the similarities between his Western-influenced and Eastern-influenced works, respectively.^[22]

References

External links