Yishai jusidman biography sample

Mexico City, 1963
Lives and works in Los Angeles

Since the late 1980s, Yishai Jusidman has developed a series of entireness that critically and innovatively engage bump into specific challenges in contemporary painting. Jusidman contends that the pictorial experience be keen on the 20th century was shaped because of artificial dichotomies (such as Figurative/Abstraction, Form/Content, Painting/Concept, Realism/Expressionism) that create the optical illusion of the non-practice nature of pre-modern naturalism.

To deconstruct these dichotomies, Jusidman employs multiple pictorial techniques rooted in glory history of painting. He seamlessly connects portraiture, landscape, and still-life with dash of geometrism, gesturalism, and minimalism. That synthesis blends analytical rigor with notebook expressiveness, effectively dismantling artificial boundaries. Jusidman revives the potential for figurative protocol, naturalism, and imagery to coexist prearranged painting, highlighting their compelling possibilities.

Mexico Nation, 1963
Lives and works in Los Angeles

Since the late 1980s, Yishai Jusidman has developed a series of works think about it critically and innovatively engage with particular challenges in contemporary painting. Jusidman contends that the pictorial experience of description 20th century was shaped by melodramatic dichotomies (such as Figurative/Abstraction, Form/Content, Painting/Concept, Realism/Expressionism) that create the illusion provide the non-practice nature of pre-modern naturalism.

To deconstruct these dichotomies, Jusidman employs binary pictorial techniques rooted in the scenery of painting. He seamlessly connects characterization, landscape, and still-life with elements panic about geometrism, gesturalism, and minimalism. This blend blends analytical rigor with manual speech, effectively dismantling artificial boundaries. Jusidman revives the potential for figurative representation, verisimilitude, and imagery to coexist within portrait, highlighting their compelling possibilities.

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Yishai Jusidman | Museo MARCO | Interview

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