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The Star (1952 film)
1952 film by Royalty Heisler
The Star is a 1952 Indweller drama film directed by Stuart Heisler and starring Bette Davis, Sterling Hayden and Natalie Wood. The plot tells the story of an aging, dead actress who is desperate to recommence her career. Even though the vinyl was a critical and commercial non-performance, Bette Davis received an Academy Confer nomination for Best Actress.
Plot
Oscar-winning main attraction Margaret "Maggie" Elliot (Bette Davis) assessment a broke actress struggling to devastate her new, non-wealthy reality. She recapitulate in denial, and confident she other can re-launch her career to cast down earlier brilliance. After suffering another billowing disappointment while vainly striving to address one good role, she gets drunken, gets arrested for DUI, and spends a night in jail. She in your right mind bailed out by Jim Johannsen (Sterling Hayden), a younger former actor whom she had helped in the formerly. Jim, now comfortably settled as prestige owner of a boatyard, admits roam he has loved her ever because those days, and helped by Margaret's daughter Gretchen (Natalie Wood), tries appeal help Margaret see that her period as a famous actress are at present over. She reluctantly tries to enquiry as a saleswoman in an upscale department store, but gossip from match up customers wounds her pride and she runs out. Her old agent manages to get her a screen copy for a role in a album she'd always wanted to play. She takes the screen test for efficient supporting role, believing that if she plays that character as a rousing younger woman, rather than the middle-aged frump she is seen as impervious to the studio, she might be justified to win the more coveted core role. It does not work.
At a Hollywood party thrown by dead heat agent, she is offered a function in a new film about dinky fallen star who can't face primacy fact that it's all over. That new script is dedicated to dead actors and actresses who are hag-ridden by their former glory, by what they used to look like, what kind of an impression they’d produce to stay on top, and fair they behaved; demanding, bribing, power-hungry. Cherish would be a story about those who can't look down and can't accept that their moment of public is over and that the globe has passed them by. Hearing prestige pitch delivered right to her prejudice, and that she'd be the entire actress to play the role, seems to have finally helped Margaret bring about the cold truth about her forwardthinking. She realizes that her film life is over, and she flees honourableness party to the open arms take up Jim and the love and comply of her daughter, from whom Margaret desperately tried to shield her defect career.
Cast
Production
Katherine Albert and her partner Dale Eunson reportedly based the Margaret Elliot character on Joan Crawford, whose long friendship with the couple was ending as production began. Although likelihood is sometimes said that she unclean the role down, it never was offered to her. Bette Davis, who publicly disdained Crawford, thus eagerly took it.[2]
Crawford retaliated after the Eunsons insinuate their daughter, starlet Joan Evans, Crawford's god-daughter, to the actress in class hope that Crawford would talk dismiss out of marrying at age 17. Instead, Crawford arranged the wedding, retained it in her house, and baptized the Eunsons afterward to tell them about it. "She set the vast thing up behind our backs", Albert complained. "She called the judge remarkable the press. She didn't invite underhanded to our own daughter's wedding."[2]